Gabriel Pereira Spurr, born according to some of his biographers on March 28, 1958 and according to others on April 5 of that same year, is the finished expression of a life plagued by invisible success. Musician and writer without repercussions, plans, without resentment but without pause, to become an hologram that, approximately 100 years from now (a date that will exceed the one of his death) will return to this spacious-time space to answer to self-reports, to invent means of communication and media campaigns that shed light on the true value of his work, with the aim that the universal history of music does him justice ... in about 100 years.